352 research outputs found

    Burnout in the Workplace: A Review of the Data and Policy Responses in the EU

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    This report looks at the extent of burnout experienced by workers in the EU, based on national research. As a starting point, the report sets out to consider whether burnout is viewed as a medical or occupational disease. It then examines the work determinants associated with burnout and looks at the effects of burnout, including psychosocial and physical work factors, work intensity and work organisation. It also reviews national strategies and policies regarding this issue, the involvement of the social partners in the current debate, as well as preventive actions currently in place

    Dissemination and geovisualization of territorial entities\u27 history

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    This paper describes an innovative solution for geovisualization of the demographic and administrative history of French municipalities named communes in French. This solution allows for the open dissemination of such data. The challenge is to provide a web interface for unskilled users in order to help them understand complex information about the demographic evolution of French territories. Our approach combines interactive thematic spatial and temporal views. We describe our architecture based on open-source technologies and the organization of this imperfect geo-historical information in our spatiotemporal database. Our second contribution concerns the concept of an acquaintance graph that has been used to obtain an efficient design with good performance in our geovisualization website

    Bruno NETTL : Nettl’s Elephant – On the History of Ethnomusicology

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    Si plusieurs ouvrages récents questionnent les enjeux, l’identité et les méthodes de recherche de l’ethnomusicologie, peu d’auteurs se sont penchés sur l’évolution de la discipline à travers le temps et dans divers contextes. Dans cet ouvrage récent, Bruno Nettl, acteur et témoin d’une bonne partie du développement de l’ethnomusicologie américaine, nous livre ses réflexions et ses observations. Composé de seize essais proposant un panorama de l’histoire de l’ethnomusicologie en tant que scien..

    Patrimonialisation des traditions musicales : l’exemple de deux processus distincts au Brésil

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    L’auteure présente ici deux processus de patrimonialisations étudiés au Brésil suivis de quelques observations sur leurs répercussions. Le premier processus s’inscrit dans une volonté politique et vise à accorder des conditions et un statut particuliers à une pratique traditionnelle artistique, tandis que le second propose une appropriation du patrimoine culturel et artistique afro-brésilien dans un objectif de développement culturel et social. À l’inverse de l’approche politique du patrimoine, l’auteure montre ici qu’une conception vivante et dynamique du patrimoine culturel vivant vient davantage rejoindre l’individu au sein du collectif en mettant notamment de l’avant la singularité du patrimoine

    "Being on Both Sides" : The Ethnomusicologist between Official Institutions and Musicians

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    Based on empirical research in the Seychelles islands (Indian Ocean), performed at the request of the Seychelles Ministry of culture, this article explores how the triangular relationship between the researcher, “interlocutors” (musicians and others), and government results in a particular form of knowledge production, one with restrictions, but also involving access otherwise unavailable to a foreign researcher. The author addresses the political economy of social science research in Seychelles and presents two case studies: (1) a course taught at the National Conservatoire of Performing Arts; and (2) the author’s involvement in an Intangible Cultural Heritage/UNESCO project. She discusses authorities and forces from the perspectives of values, and claims to an ethical stance taken in research, concluding that a comprehensive understanding of the actors, stakeholders and forces that influence the sustainability of music is imperative for (applied) ethnomusicologists working with the aim of assisting endangered music forms and traditions. A better grasp of the roles of ideas, beliefs and values inherent to musical practices and policy-making processes also contributes to a better understanding of music and culture, as well as the formulation of public policies

    Le festival Dimans moutya aux Seychelles. (Re)construction et « sauvegarde » d’un patrimoine musical au travers de sa mise en tourisme

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    This article traces the emergence of the Dimans moutya festival in Seychelles, describes the local music practice called moutya along with the issues arising from its modern staging in a popular festival, and explains the choice to feature a specific musical genre, the moutya, at the expense of other local musical practices. Tourism development is part of a heritage strategy to increase the interest of younger generations in local culture, and to secure an international recognition of moutya as an intangible cultural heritage of humanity.Cet article retrace l’émergence du festival Dimans moutya aux Seychelles, explicite la conception de cette pratique musicale locale appelée moutya et les enjeux de ces nouvelles mises en scène dans un festival populaire, ainsi que du choix de mettre en avant un genre musical spécifique aux dépens des autres musiques locales. La mise en tourisme s’inscrit dans une stratégie patrimoniale visant à augmenter l’intérêt des jeunes générations pour la culture locale et une reconnaissance internationale du moutya en tant que patrimoine culturel immatériel de l’humanité
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